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THE DAGUERREOTYPE
by Edgar Allan Poe
(1840)
THIS WORD is properly spelt Daguerréotype, and pronounced
as if written Dagairraioteep. The inventor's name is Daguerre, but the
French usage requires an accent on the second e, in the formation of the
compound term.
The instrument itself must undoubtedly be regarded as the most important,
and perhaps the most extraordinary triumph of modern science. We have not
now space to touch upon the history of the invention, the
earliest idea of which is derived from the camera obscure, and even the
minute details of the process of photogeny (from Greek words signifying
sun painting) are too long for our present purpose.
We may say in brief, however, that a plate of silver upon copper is
prepared, presenting a surface for the action of the light, of the most
delicate texture conceivable. A high polish being given this plate by means
of a steatitic calcareous stone (called Daguerreolite) and containing equal
parts of steatite and carbonate of lime, the fine surface is then iodized
by being placed over a vessel containing iodine, until the whole assumes
a tint of pale yellow.
The plate is then deposited in a camera obscure, and the lens of this
instrument directed to the object which it is required to paint. The action
of the light does the rest. The length of time requisite for the operation
varies according to the hour of the day, and the state of the weather -
the general period being from ten to thirty minutes - experience alone
suggesting the proper moment of removal. When taken out, the plate does
not at first appear to have received a definite impression - some short
processes, however, develope it in the most miraculous beauty.
All language must fall short of conveying any just idea of the truth,
and this will not appear so wonderful when we reflect that the source of
vision itself has been, in this instance, the designer. Perhaps, if we
imagine the distinctness with which an object is reflected in a positively
perfect mirror, we come as near the reality as by any other means. For,
in truth, the Daguerreotyped plate is infinitely (we use the term advisedly)
is infinitely more accurate in its representation than any
painting by human hands. If we examine a work of ordinary art, by means
of a powerful microscope, all traces of resemblance to nature will disappear
- but the closest scrutiny of the photogenic drawing discloses only a more
absolute truth, a more perfect identity of aspect with the thing rep resented.
The variations of shade, and the gradations of both linear and aerial perspective
are those of truth itself in the supremeness of its perfection.
The results of the invention cannot, even remotely, be seen - but all
experience, in matters of philosophical discovery, teaches us that, in
such discovery, it is the unforeseen upon which we must calculate most
largely. It is a theorem almost demonstrated, that the consequences of
any new scientific invention will, at the present day exceed, by very much,
the wildest expectations of the most imaginative. Among the obvious advantages
derivable from the Daguerreotype, we may mention that, by its aid, the
height of inaccessible elevations may in many cases be immediately ascertained,
since it will afford an absolute perspective of objects in such situations,
and that the drawing of a correct lunar chart will be at once accomplished,
since the rays of this luminary are found to be appreciated by the plate.
THE END
Alexander's Weekly Messenger, Jan. 15, 1840,
p.2
Transcription by David Phillips
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